solo
[new piece] (upcoming)
for solo cimbalom (?')
written for percussionist Nick Tolle
excision no. 2 (upcoming)
for solo viola and live electronics (10')
written for violist Kurt Rohde
excision no. 1 (2015)
for drumset and live electronics (6')
written for percussionist Joe Tucker and The Curiosity Cabinet
a silhouette of constrained motion, I (2015)
for solo trombone (4.5')
commissioned by Synchromy Music for trombonist Matt Barbier
Phantosmia (2012)
for solo clarinet (7')
written for Greg Oakes
chamber
how much more compelling is the sea (2015)
for soprano and mixed septet (fl, cl, vln, vc, guitar, pno, perc) (8')
commissioned by the 2015 soundSCAPE festival for Eastman BroadBand
πνευμα μηχανης (pneuma mekhanes) (2014, rev. 2015)
for accordion and chamber ensemble (fl/bfl, ob/ca, cl/bcl, vln, vla, vc, cb, hrpschd, 2 percussion) (11')
written for Isaac Schankler and Talea Ensemble
dirty water (2014, rev. 2015)
for bass clarinet and marimba (6')
written for Transient Canvas
press (2014)
for pierrot ensemble (12')
commissioned by the Oklahoma State University Frontiers New Music Ensemble
colluvium (2013)
for coloratura soprano, two flutes, and bass (10')
for Kirsten Wiest, soprano, Michael Matsuno, flute, Ine Vanoeveren, flute, Matthew Kline, bass
corpus, fractum (2013)
for saxophone quartet (7.5')
Sphinx (2013)
for soprano and clarinet (3.5')
written for Tony Arnold and Michael Norsworthy
Sontag Fragments, Book I (2013)
for mezzo, piano, two toy pianos, and superball mallets (5.5')
written for mezzo-soprano Jennifer Beattie
Rh NEGATIVE (2012)
for accordion, electric guitar, bari sax, and percussion (7.5')
written for the Genkin Philharmonic
umwelt (2012)
for amplified string quartet and live electronics (~16')
selective defrosting (2011, rev. 2012)
for string quartet (8')
written for the Lydian String Quartet
revised for the 2012 New Music on the Point Contemporary Chamber Music Program
heliotrope (2012)
for flute, clarinet, alto saxophone, cello, and piano (10')
written for the 2012 Cortona Sessions for New Music
full fathom five (2012)
for mezzo and piano with superball mallets (4')
written for the 2012 New Music on the Point Contemporary Chamber Music Program
Songs For Insomniacs (2011)
song cycle for soprano and piano (8.5')
becoming (2011)
for pierrot ensemble and harmonica (7')
large ensemble
[new piece] (upcoming)
for trombone and sinfionetta (?')
commissioned by wildUP
studies on the intensification of light and shadow (2016)
for tenor saxophone and wind ensemble (9')
commissioned by the Boston Conservatory Wind Ensmble
Unfinished Business (2011)
for orchestra (5')
electronic media
excision no. 2 (upcoming)
for solo viola and live electronics (10')
written for violist Kurt Rohde
excision no. 1 (2015) (in progress)
for drumset and live electronics (6')
written for percussionist Joe Tucker and The Curiosity Cabinet
controlled burn (2014)
for electronic playback (6.5')
X (2012)
for bassoon, cello, electric bass, and live electronics (8')
written for the Leonard Bernstein Festival of the Arts at Brandeis University
Markov Transients (2011)
for electronic playback (4')
Menagerie (2011)
for electronic playback (2')
installations and sound art
lux subaqueanus (2015)
for jellyfish, custom motion-tracking software, and live electronics
written for Springfest: Immersion at the Birch Aquarium at Scripps
sound design
Sound Cues for Dominic Argento's "A Water Bird Talk" (2012)
electronic playback (~45')
written for the Monadnock Music Festival
in progress
they didn't know we were seeds (in progress)
for solo piccolo and live electronics (7')
written for flutist Meerenai Shim
© 2014 tina tallon